Toshiba Toshiba Secure Digital-Hostcontroller Texas Instruments Masselagringskontroller Intel(R) 7 Series/C216 Chipset Family SATA AHCI Controller Microsoft Intel(r) 82801DB/DBM USB universeller Hostcontroller - 24C2 NComputing NComputing Virtual USB 1.1 Host Controller Microsoft Microsoft USB IntelliMouse Explorer Intel(R) QuickPath Architecture Generic Non-Core Registers - 2C52

Huawei Vodafone Mobile Broadband Secondary Port Modem (Huawei) (COM28) Microsoft Microsoft Hardware USB Keyboard Intel(R) 82801EB Ultra ATA Storage Controllers - 24D1 It was my first exposure to SynchroArts, which had another massive hit in the post world called Titan (for syncing up location sound after the picture had been cut).īack in the day, VocAlign was bundled by Digidesign in its DV Toolkit option. Vocalign was pretty good at syncing a dub take to an original take, adjusting syllables and transients to match timing between performances. It promises a lot! PLUG-INS LEAVING THE NEST Revoice Pro takes that concept to a whole new level, matching not just timing, but also pitch and inflection, vibrato and emphasis. One of the hurdles I face with software like iZotope RX4 and Revoice Pro 3 is that in my mind they started life as plug-ins inside my favourite DAW and now they’re all grown up and want to be applications, linked to my DAW.

They are forcing me to change the way I work. In the case of RX4 I haven’t looked back. On OS X, switching apps with ‘spaces’ and having RX’s output monitored through my PT HD hardware via a plug-in has proven to be a much faster way to work.

I was expecting a similar experience with Revoice Pro, but instead found that its monitor plug-in not only piped audio into my HD session but also linked the transport between the apps - a bit like Rewire. I can see how for many users this may be a benefit, but in my case, being used to a similar but slightly different workflow I found it maddening.

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